Bach lays the foundation for the entire Chaconne in the first four measures, as I explained in an earlier post. That foundation really consists of two elements: a harmonic progression and a rhythmic idea. Since it is the germ of the rest of the piece, it’s important to get it right.Read More »
I’ve been thinking and writing about the Chaconne for a couple of weeks. I’ve done a basic analysis of the piece so that I know the structure. I’ve evaluated the different guitar editions in my library and decided to make my own arrangement. I am anxious to put fingers to strings—to start the long journey of actually learning to play it. But, as with any long journey, it’s a bad idea to start out without a plan. I think about the intrepid pioneers who set out in wagon trains to build new lives in the west. I know it’s mostly mythology from stories I read and movies I saw as a boy, but it remains a romantic notion. I want to explore, to overcome dangers, to make a journey. I don’t want to lose my way, or end up stuck in a mountain pass eating my own guitar strings.Read More »
Before I can start playing the Chaconne I have to figure out what notes to play. That’s not usually a problem when starting to learn a new piece of music—I simply learn the notes that the composer wrote down in the score! But it’s more complicated than that in the Chaconne. First, as we already know, the Chaconne is written for the violin and not the guitar, so some kind of adaptation is necessary. Second, even in the original violin version there are two sections where Bach doesn’t tell the performer exactly what notes to play.Read More »
It seems like a good idea to devote some time to describing the piece and giving a little background on it.Read More »
Welcome to The Chaconne Project, documenting my long journey to learn and perform the Chaconne by J.S. Bach on guitar. This work —originally for unaccompanied violin—is arguably one of the great masterworks of Western music. Andrés Segovia performed it on guitar sometime in the early 1930s and since that time it has been one of the pinnacles of our repertoire. It’s a big mountain to attempt at this stage in my life but there will never be a better time. So, starting today, I’m going to put one foot in front of the other and begin the climb. I’ve created this website to document the journey and I invite you to follow along.
What is this chaconne (pronounced “shah-KOHN” or “shah-KUN rhymes with BUN” if you want to very French about it) and why is it such a big deal? It’s summed up pretty well in this passage from a letter that Johannes Brahms wrote to Clara Schumann after he first encountered the piece:
“The Chaconne is one of the most wonderful, incomprehensible pieces of music. On a single staff, for a small instrument, the man writes a whole world of the deepest thoughts and the most powerful feelings. If I were to imagine how I might have made, conceived the piece, I know for certain that the overwhelming excitement and awe would have driven me mad.” Read More »