In The Fickle Fate of Flying Fingers, Part 1 I described some of the basic parameters of deciding on left-hand fingerings for the guitar: the possibility of playing pitches in more than one place on the neck, the different voices of the individual strings, the potential pitfalls of shifting from one position on the neck to another.
All of these factors come into play when developing the fingerings for a passage. For consistency of tone and voice, keeping a single melodic phrase or line on one string (or even two adjacent strings) is preferable. But if that phrase spans more than a small interval it’s going to require one or more shifts to play it, increasing the technical challenge. On the other hand, it might be possible to avoid or ease a shift by incorporating a pitch on an open string—allowing the left hand to move freely while the right hand plays the open string—or to skip across strings to play a wide leap. But that introduces the challenge of keeping the voice of the line consistent. Let’s look at a specific example. [Remember the Classical Guitar Primer if you need a refresher on notation.]Read More »
As I have been studying the Chaconne I find it ties together a lot of strands from my musical life: an early love of Bach, some wonderful teachers, and a 50-year relationship with the guitar in various forms. From time to time in the course of this project I will take time to write about some of these strands, and these interludes will show up here. Those interested in the purely musical aspects of the project will certainly be forgiven for skipping over these reflections!
The Chaconne Project really began one day in a South Dakota classroom, thanks to Shirley Bertsch and J. S. Bach.Read More »
When I walk someplace in Manhattan I play a little game with myself. Say that I am starting out at my old workplace at 7th Avenue and 33rd Street and walking to my current workplace at 42nd Street and Fifth Avenue. That’s nine blocks up and three blocks across. There is a traffic light at every intersection in midtown Manhattan. So here is the game: can I do the walk without ever having to stop for a light, so that I can be walking the entire time? It means making a choice at every corner. For example, I can cross from the northwest corner of 33rd and 7th to the northeast corner. At that point, I can go north up the east side of 7th Ave. or continue across 33rd to 6th Ave, turn left, and walk up the west side of the street. When I get to the next intersection I’ll have another choice to make.
You might reasonably ask “what does this have to do the Chaconne?” Well, nothing, really. But it is a good way to think about the challenges of deciding the fingering of music on the guitar.Read More »