In January I set myself the goal of learning and performing the Chaconne in public before the end of the year. It’s November and The Chaconne Project is in its eleventh month. That’s more time than it takes to grow a human being from scratch, which makes the pace of my progress on Bach’s masterpiece seem positively languorous. But I have enjoyed taking my time, sometimes spending an hour just experimenting with the fingering for one measure, or devising a drill or study to master a particularly difficult passage. I am happy with my progress, with the editing done and the piece in my fingers…more or less.
The next phase is to develop my interpretation of the piece—to move from playing the notes to making music. I’ve been doing some of this all along, of course, as I made decisions about the arrangement and fingerings and began playing through sections of the piece. But now that I am playing the entire Chaconne I am starting to play with the piece more, and as I do that new possibilities appear. As I become surer in my command of the piece I have more interpretive options. In the past I might have considered a piece at this stage ready to perform, but it isn’t there yet. I have a lot of ways to play individual sections of the Chaconne but they don’t yet add up to a convincing whole…and that is what I am working towards.
As the end of the year approaches I’m thinking more and more about performances. Later this month I hope to play the piece for a group of guitarist friends in an informal setting. Sometime in December I’d like to try doing a live web performance (if I can figure out how); as an alternative I’ll make a video. And a couple of exciting opportunities to extend my project into 2020 have arisen. First, I’m hoping to play one or two house concerts in Florida right around the turn of the year thanks to the efforts of a very good friend. That will be my first opportunity to play the piece in front of a live audience not made up entirely of friendly guitarists, and it will also serve as a trial run for what comes next. On February 7, 2020, I’ll play the Chaconne along with other works in recital at Georgetown University as part of their Friday Music Series. It’s a wonderful opportunity and a fitting culmination to The Chaconne Project.